NYC Must: Hedwig And The Angry Inch

Neil Patrick Harris as Hedwig

Neil Patrick Harris as Hedwig [photo credit: Joan Marcus]

When news first reached me that there was going to be a revival of John Cameron Mitchell’s rock musical ‘Hedwig and the Angry Inch,’ elated was an understatement to describe how excited I felt. When I first saw the film (starring Mitchell as the lead), it was followed by two more post plays due to my immediate addiction to the musical’s well-composed rock-inspired musical numbers and intellectual humor hidden within the script.

Now the story of an East German transgender singer returns to the New York stages since it first opened Off-Broadway in 1998, and this time it’s trading up to the big leagues with a Broadway debut at the Belasco Theatre. What was once an underground cult classic has recently attained the attention of the mainstream media and masses, from HuffPo to Vogue, thanks in part to the show’s new leading man: “How I Met Your Mother” star Neil Patrick Harris.

Though the presence of Mitchell is greatly missed, Harris does pretty good job filling into those five-inch gold platform go-go boots. From his spot-on East German accent to his perfect pitches, nothing was misplaced in Harris’s performance as Hedwig – but then again, you wouldn’t expect anything less from the four-time Tony host (three of which had won him an Emmy).

On top of such strong characters (including Hedwig’s husband Yitzhak played by supporting actress Lena Hall), the set and production effects had provided their own stand out performance while supporting the aesthetic and energy of the show. Before the first performer even steps onto the stage, one is immediately transported to a post-punk apocalyptic scene with an abandoned car in the middle of the stage surrounded by random auto carnage that hovers above it. Instead of red velvet curtains, the stage is flanked by what looks like beaten brick wall. Then when the music finally begins, the set’s special effects lends itself to each number’s unique vibe from transparent downstage screens showcasing trademark animation exhibited during “The Origin Of Love” along with blaring strobe lights that raise one’s fear and adrenaline levels in “Hedwig’s Lament.”

Bottom line, you need to see this show. Not only is it a rare moment in rock musical history to see Hedwig once again on a New York stage, but the production as a whole – the music, the story, the costumes, the characters – is enough to move you through several stages of deep emotions so that you are left breathless by curtain call.

Get your tickets by clicking here.

Curtain call (From left to right) Lena Hall, 'Hedwig' composer Stephen Trask, Neil Patrick Harris, John Cameron Mitchell

Curtain call (From left to right) Lena Hall, ‘Hedwig’ composer Stephen Trask, Neil Patrick Harris, John Cameron Mitchell [photo credit: Getty Images]

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Lust List: BaubleBar

Photo credit: BaubleBar

Photo credit: BaubleBar

So I’ve always have had a secret addiction for jewelry, and my latest dealer (aka enabler) has been the online retailer BaubleBar. Not only is their selection trendy and well priced, but they bring in celebrity guest ‘bartenders’ to design their own collection of statement pieces.

Yesterday model Coco Rocha dropped her own line of punk-inspired bib necklaces and ear cuffs that are to die for. It is just the right combination of hard edge and controlled glamour (a reflection of Rocha herself) that has already got ordering four pieces from the website. Take a look yourself and sign up for email updates to get 15 percent off your first order.

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Happy (Belated) Birthday John Waters!

john-waters

Yesterday (April 22) John Water celebrated his 68th birthday, but his status and appearance will always be timeless. He was one of the punk pioneers who made the underground mainstream through avant-garde films that starred sexual fetishes and dog poop in a light that made you want to turn away (but you just couldn’t).

I remember my first encounter with a John Waters production was through accidental means. Upon seeing a billboard for the musical hairspray, I was completely enamored and intrigued by the fun font and electric blue wig. After a slew of not-so-subtle hints at my desire to see the show, my mom had gotten tickets on the weekend before Christmas to the touring company’s Baltimore show at the Hippodrome Theatre.

How excited I was that the opening score for the musical would be “Good Morning Baltimore,” sung by the lead character Tracey Turnblad. It was almost surreal. It was also a fun surprise to see Tracey’s mother played by a man, which I later learned was originally casted by the legendary Divine (but we’ll get to that later).

Flash forward five years later, and I’m a talking to a stylist for the magazine I’m interning for that is based in Baltimore. Though the stylist is living in L.A., she has a thorough knowledge of the city and its cultural past. “Have you ever heard of John Waters?” she asked me. The name didn’t ring a clear bell, but the name did seem familiar. She tries to recall my memory by dropping films such as Pink Flamingos, Female Trouble and Cry Baby. “Oh, the one with Johnny Depp!” I recollect. Of course I remember Cry Baby during my summer-long obsession with JD following his role as pirate panty-dropper Captain Jack Sparrow in Pirates of the Caribbean.

The stylist goes on to educate me about the greatness that is John Waters, telling me that the man actually continues to live in Baltimore after growing up and shooting most of his films in the area. [Cry Baby actually featured scenes in Ellicott City’s ‘Enchanted Forest’ near where I was living]. She even told me about the cult following that lingers in B-More near Hampden where they host an annual HonFest. Since it was on the way to the photo shoot, we decided to stop by there and sure enough I see pink flamingos lined up against restaurants and storefronts. “I really have to look more into this guy,” was my first thought when checking out the scene, but I delay this for another five years.

Flash forward and I’m living in New York. Some friends tell me of a ‘Divine’ movie series going on at BAM (Brooklyn Academy of Music) where they are playing the film Pink Flamingos at its movie theater. I immediately get on this, taking a subway that evening to the theater to catch some classic John Waters at its finest. I become both horrified and thrilled while watching the film, shielding my eyes only to resurface quickly in fear of missing anything. It’s like the cliché of watching a car crash – you feel you shouldn’t but your carnally drawn to it anyhow.

But despite the ‘OMG’ moments, the film does offer a beautiful portrait of Baltimore City that can only be rivaled by HBO’s The Wire. I mean, yes it portrays a dark and twisted side of the city, but in that darkness there is beauty. When the actress Divine walks across Federal Hill Park, one is met with a grand landscape of the skyline hovering over the harbor. It is an environment of diversity and eccentricity that is unique to its own streets, something that cannot be replicated. John Waters saw this growing up in its vicinity and mirrors it in his films.

He also gave a voice and a face to those who may have been shunned before. The drag queens, the cross dressers, the sex addicts, the rebels – they all were expected to hide and be ashamed of what made them of they were till Waters gave them the spotlight they so craved. He is in some sense a modern day Andy Warhol, questioning what should be considered ‘cool’ and what shouldn’t, and he did it without any intentions of making a name for himself. He just wanted to do what he loved.

“I didn’t get a good review for 10 years and I made a career out of it.” ~John Waters

Waters & Divine At 'Female Trouble' Premiere

Photo credit: Getty Images

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